Thomas Mann House Events Archive

2025

Thursday, January 16, 2025
Friday, January 31, 2025
Wednesday, March 5, 2025
Sunday, March 23, 2025
Tuesday, March 25, 2025
Thursday, March 27, 2025
Monday, April 14, 2025
Thursday, April 17, 2025
Friday, May 2, 2025

PEN America World Voices Festival: Forced Journeys - Stories of Home, Displacement, and Belonging

Goethe-Institut Los Angeles (1901 W 7th St Suite A/B, Los Angeles, CA 90057)

Information

What does it mean to belong to a place, a nation, a family, one’s own past? To what do we owe our homelands and what happens when we are displaced from them? Novelist Charmaine Craig, whose Burmese mother was both a beauty queen and a revolutionary, illuminates both national and personal trauma in her prize-winning Miss Burma; Héctor Tobar set his novel Tattooed Soldier in Los Angeles before the riots and in his parents’ native Guatemala during the years of military dictatorship. Photojournalist and founder of Refugee Eye, Lara Aburamadan recounts the ugliness of war and the endless cycle of Israeli bombardments in her native Gaza, in an effort to fight the dehumanization of Palestinians, bring about social change, and promote peace. In conversation with Ipek S. Burnett, a Turkish-born author and psychologist; these writers discuss in what ways exile gives them freedom to write, create, or advocate— and in what ways the draw of “home” limits that expression.

This event is presented by PEN America with Thomas Mann House and the Goethe-Institut in the spirit of Thomas Mann’s 150th birthday celebration, who wrote many of his most well-known works from his exile residence in Los Angeles.

The 2025 PEN World Voices Festival, the 20th anniversary of the festival, will be a celebration of world literature and free expression. Over four days, over 80 writers from nearly 30 countries will be featured in engaging talks, panels, readings, and performances in New York City and greater Los Angeles.

Visit https://worldvoices.pen.org/ for more information about the entire festival, as well as PEN America.

Participants

Lara Aburamadan

Lara Aburamadan is a Palestinian visual artist, journalist and founder of Refugee Eye. Born and raised in Gaza City, now based in the San Francisco Bay Area, she tends to embrace the human perspective through visual storytelling. Her photographs and writings have been published in Time Magazine, New York Times, Washington Post, VICE, San Francisco Chronicle, and elsewhere. Lara has been chosen by Time Magazine among 34 women photojournalists around the world that you should follow their work in 2017.

Ipek S. Burnett

Ipek S. Burnett, PhD, is a Turkish-American author and scholar who offers a psychological lens on social, cultural, and political issues. She is the author of A Jungian Inquiry into the American Psyche: The Violence of Innocence (2020) and the editor of Re-Visioning the American Psyche: Jungian, Archetypal, and Mythological Reflections (2024). Her forthcoming book, Art of Activism: A Psychological Perspective, explores the intersection of psychology, arts, and activism. A published novelist in Turkey, her literary work examines themes of free speech, democracy, and historical consciousness. Based in San Francisco, she serves as Co-Chair of the Human Rights Watch Executive Committee and is on the board of 826 Valencia, a nonprofit dedicated to supporting under-resourced students with their writing skills.

Héctor Tobar

Héctor Tobar is a Los Angeles-born author of six books, including, most recently, Our Migrant Souls: A Meditation on Race and the Meanings and Myths of Latino, winner of the Kirkus Prize and other honors. His nonfiction Deep Down Dark was a New York Times bestseller and adapted into the film The 33. His novel The Barbarian Nurseries won the California Book Award Gold Medal and was a New York Times Notable Book. Tobar’s fiction has appeared in Best American Short Stories, and he earned his MFA from UC Irvine, where he is currently a professor. At the Los Angeles Times he was a foreign correspondent and was part of a reporting team that won a Pulitzer Prize. Tobar has been a Guggenheim fellow, a Harvard Radcliffe fellow, an op-ed writer for the New York Times, and a contributor to The New Yorker, National Geographic, and The New York Review of Books, among many other publications. He is the son of Guatemalan immigrants.

Charmaine Craig

Charmaine Craig is the author of the novels Miss Burma, longlisted for the 2017 National Book Award for Fiction and the 2018 Women’s Prize for Fiction; My Nemesis; and The Good Men, a national bestseller. Her writing has been widely translated and appeared in venues including The New York Times Magazine, Narrative Magazine, AFAR, and Dissent. Formerly an actor in film and television, she studied literature at Harvard, received her MFA from UC Irvine, and serves as a faculty member in the Department of Creative Writing at UC Riverside.

Attendance Details

This Venue is ADA compliant.

ASL interpretation is available for this event by request only. Please reach out to our Box Office team at publicprograms@pen.org by April 21st to request. Please ask a Box Office Attendant or festival representative upon arrival for directions to accessible seating if preferred.

For further information on accessibility in this space, or to make a request, please contact publicprograms@pen.org

Partners

Thursday, May 8, 2025

Exiled in Hollywood: Thomas Mann & Arnold Schoenberg at 150

UCLA Faculty Club

Information

To honor Thomas Mann’s 150th birthday anniversary and to celebrate the West Coast premiere of the opera Schoenberg in Hollywood, produced by the Lowell Milken Center for Music of American Jewish Experience, which explores the hypothetical scenario of what would have happened if Schoenberg had composed for Hollywood, this event will explore the fascinating and complex relationship between two key figures of the German-speaking émigré community and their relationship with the Hollywood film industry.

The opera Schoenberg in Hollywood revolves around a historic meeting between the legendary producer Irving G. Thalberg of Metro Goldwyn Mayer and the Austrian composer Arnold Schoenberg. Thalberg asks Schoenberg to compose music for a film based on Pearl S. Buck’s The Good Earth. While Schoenberg was intrigued by the prospect of creating a Hollywood film score that could reach millions, his demand for a $50,000 fee ultimately led to the project falling through. Meanwhile, Thomas Mann also pursued connections with Hollywood, exploring the possibility of adapting The Magic Mountain and his Joseph saga into films. But despite several discussions with producers and studios, these projects never came to fruition. Mann’s interest in cinema, however, extended far beyond personal ambition. His fascination with the medium dates back at least to 1924, as evidenced in his novel The Magic Mountain, in which the protagonist visits a film theater to watch Ernst Lubitsch's 1920 silent classic Sumurun. During his exile in Los Angeles, Mann developed a deep appreciation for the medium. He frequented his favorite theaters in Westwood, often attending screenings twice a week, and attended Hollywood film premieres. His diaries contain poignant, harsh, and humorous critiques of the films he watched. Mann also built relationships with prominent Hollywood figures, including Jack Warner, Walt Disney, Ernst Lubitsch, Alfred Hitchcock, and others, further cementing his connection to the cinematic world.

This event will delve into the multifaceted relationship between Thomas Mann and Arnold Schoenberg, exploring their Hollywood aspirations, their connections to the film industry, and the cultural exchange between émigrés and Hollywood. European exiled composers, such as Arnold Schoenberg, Erich Korngold, Hanns Eisler, and Franz Waxman, heavily influenced the genre of film music in the 1930s and 1940s. At the same time, Hollywood played a crucial role in supporting refugees, offering work contracts, necessary affidavits, and assistance through non-profit organizations like the “European Film Fund.”

The conversation will be accompanied by a short musical performance by acclaimed pianist Inna Faliks (UCLA Herb Alpert School of Music).

Learn more about Todd Machover’s opera Schoenberg in Hollywood here.

Learn more about the 150th anniversary of Thomas Mann here.

Participants

Doris Berger
Image: Ye Rin Mok

Doris Berger is the Vice President of Curatorial Affairs at the Academy Museum of Motion Pictures in Los Angeles. She was previously a Getty Postdoc Fellow, a Curator at the Skirball Cultural Center, and the Director of the Kunstverein Wolfsburg, Germany. Berger curated the touring exhibition Light & Noir: Exiles and Emigres in Hollywood, 1933-1950 at the Skirball (2014–15). At the Academy Museum, she co-curated the inaugural exhibitions Stories of Cinemaand Backdrop: An Invisible Art (2021), the touring exhibition Regeneration: Black Cinema, 1898–1971 (2022-23), and curated Cyberpunk: Envisioning Possible Futures Through Cinema (2024). She wrote the book Projected Art History: Biopics, Celebrity Culture, and the Popularizing of American Art (Bloomsbury, 2014) among numerous essays on art and film, gender and exile studies.  

Inna Faliks

Inna Faliks - “Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. Her new memoir, Weight in the Fingertips, A Musical Odyssey from Soviet Ukraine to the World Stage, was published by Globe Pequot Press in October 2023. She holds the posts of Professor of Piano and Head of Piano at the UCLA Herb Alpert School of Music

Lily E. Hirsch

Lily E. Hirsch is a musicologist, with a Ph.D. from Duke University, and Writer-in-Residence at California State University, Bakersfield. She is the author of the books A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League (University of Michigan Press in 2010),  Anneliese Landau’s Life in Music: Nazi Germany to Émigré California (Eastman Studies in Music in 2019), Can’t Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono (Rowman & Littlefield, 2023), and Taking Funny Music Seriously (Indiana University Press, 2024), among others.

Alex Ross

Alex Ross has been the music critic of The New Yorker since 1996. His first book, The Rest Is Noise: Listening to the Twentieth Century, won a National Book Critics Circle Award and was a finalist for the Pulitzer Prize. His second book, Listen to This, is a collection of essays. His latest book is Wagnerism: Art and Politics in the Shadow of Music, an account of Wagner’s vast cultural impact. He has written often about Thomas Mann and the émigré community in L.A. for The New Yorker. He was awarded with a MacArthur Fellowship and the Belmont Prize. 

Hans Rudolf Vaget

Hans Rudolf Vaget is Professor of German Studies and Comparative Literature at Smith College (Northampton, Massachusetts). He received his academic training at the universities of Munich and Tübingen, the University of Wales at Cardiff and at Columbia University in New York. His research focuses on Goethe, Wagner and Thomas Mann, on which he has published extensively. Recently he published Wehvolles Erbe: Richard Wagner in Deutschland. Hitler, Knappertsbusch, Mann (S. Fischer Publishing House, 2017). He is the author of the seminal book Thomas Mann, der Amerikaner: Leben und Werk im amerikanischen Exil, 1938-1952 and one of the general editors of GKFA (Mann's works, letters, and diaries), published by S. Fischer Verlage.

Partner

This event is organized by the UCLA Herb Alpert School of Music, the UCLA Lowell Milken Center for Music of American Jewish Experience, the UCLA Department of European Languages and Transcultural Studies, and the Thomas Mann House Los Angeles. This event is part of "Mann 2025: 150 Years of Thomas Mann".

 

Saturday, May 10, 2025
Friday, June 6, 2025

Faustus Revisited: Reading & Concert on Thomas Mann’s 150th Birthday

Thomas Mann House (1550 N San Remo Drive, CA 90272)

Info

Join Monday Evening Concerts, the Los Angeles Poverty Department and the Thomas Mann House for a celebration to honor Thomas Mann’s 150th birthday and the reopening of the Thomas Mann House after the Palisades Fires.

The event also marks the continuation of the Thomas Mann House Residency Program, which was paused after the Palisades Fire in January 2025. 2025 Fellow Steven Walter will guide the audience through an evening of recitations from Mann’s seminal 1947 music novel Doctor Faustus, written during his exile in Pacific Palisades, accompanied by musical performances on Mann’s historic piano. The book tells the story of Adrian Leverkühn, a fictitious, brilliant composer who, in pursuit of artistic greatness, makes a metaphorical pact with the devil—sacrificing human connection and sanity for creative genius. The novel can be understood as both a critique of modern bourgeois life in Germany and an allegory for the rise of the Nazi party.

Selected passages from the book will be recited by actors Jaiye Kamson, Henriëtte Brouwers, and Tom Grode of the renowned Skid Row-based performance group Los Angeles Poverty Department, complemented by renditions of Beethoven: Op. 111 (Second Movement: Arietta: Adagio molto semplice e cantabile) and Caroline Shaw’s Gustave le Gray, performed by acclaimed pianist David Kaplan (UCLA Herb Alpert School of Music). The program will also feature excerpts of early electronic masterworks by Karlheinz Stockhausen and Elsa Marie Pade, as well as a live performance of Helmut Lachenmann's Guero and Julius Eastman’s Buddha, played by Jonathan Hepfer, the artistic director of Monday Evening Concerts.

The combination of music and readings from Doctor Faustus will allow a new way of experiencing Mann’s work while celebrating his 150th birthday and the reopening of the Thomas Mann House after the fires.

 

 

 

Program

Julius EASTMAN - BUDDHA (1983) [Entrance Music]

Jonathan Hepfer, percussion

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Thomas MANN - DOCTOR FAUSTUS: Recitation I (1947)*

Henriëtte Brouwers, reader

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Ludwig Van BEETHOVEN - PIANO SONATA No. 32, Op. 111 (mvmt. ii: ARIETTA) (1822) [18']

David Kaplan, piano

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Thomas MANN - DOCTOR FAUSTUS: Recitation II (1947)*

Tom Grode, reader

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Caroline SHAW – GUSTAVE LE GRAY (2012) [10']

David Kaplan, piano

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Thomas MANN - DOCTOR FAUSTUS: Recitation III (1947) *

Jaiye Kamson, reader
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Karlheinz STOCKHAUSEN - GESANG DER JÜNGLINGE (1956) [6']

Electronic Playback

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Helmut LACHENMANN - GUERO (1970) [4']

Jonathan Hepfer, piano

 

* some readings of DOCTOR FAUSTUS are underscored by excerpts of Elsa Marie Pade's FAUST for electronic playback (1962).

Participants

Henriëtte Brouwers

Henriëtte Brouwers has been the Associate Director of the Los Angeles Poverty Department since 2000. As Associate Director, she directs, performs, and produces many LAPD projects. While, living in Paris in the early 1980’s Brouwers studied corporeal mime with Etiènne Décroux and was a member of Boal's in exile, Theatre of the Oppressed group. Born in the Netherlands, and while living in Amsterdam, she performed with important groups including Grif Theater, Luc Boyer and the National Dutch Opera. She founded movement theater ACTA, and her performances, including her solo Malinche, toured the US, Belgium and The Netherlands. Brouwers devised the Weeping Women performances at Pomona College and with LAPD. She is featured in Bill Viola’s renowned video series The Passions.

Tom Grode

Tom Grode is a former Skid Row resident, with numerous credits for casting films and television series. He moved to Skid Row in 2015 and has performed with LAPD in What Fuels Development?(2016), Walk the Talk (since 2016), The Back 9 (2017), I Fly! (2019), The New Compassionate Downtown (2021), The Resilience Monologues (2022) and LAPD’s current production The Covid Hotel Welcomes You to the Future.  For The Back 9 Tom performed and contributed to the script as a writer, and he traveled with LAPD for community residencies in Philadelphia and Minneapolis. Tom has been active in the Skid Row Community with the Skid Row Design Collective, the Skid Row Neighborhood Council Formation Committee, the Skid Row Community Improvement Coalition, and Skid Row Now & 2040.

Jaiye Kamson

Jaiye Kamson is a multimedia artist who has performed with the LA Poverty Department since December 2023, when the Welcome to the Covid Hotel performance was being developed, and she performed in Walk the Talk 2024. A visual artist, her work is in the Skid Row History Museum’s current exhibition, Walk with Me by artists from The People Concern’s Studio 526, Jaiye works as an archival assistant at in the Skid Row History & Museum Archive.

David Kaplan

David Kaplan is a New York-born piano soloist and chamber musician, praised by the Boston Globe for “grace and fire” at the keyboard. He has appeared as soloist with the Britten Sinfonia, Das Sinfonie Orchester Berlin, and in the last season appeared with the orchestras of Hawaii and San Antonio, improvising his own cadenzas in concerti of Mozart. He released two acclaimed albums in 2024: the GRAMMY nominated “DECODA”, and his solo debut disc, “New Dances of the League of David,” which was lauded by Financial Times, Gramophone, Fanfare, and more. He has given recitals at the Ravinia Festival, Washington’s National Gallery, and New York’s Carnegie and Merkin Halls, and performs chamber music with such collaborators as the Attacca Quartet, cellist Colin Carr, and in a longstanding duo with pianist-composer Timo Andres. Kaplan is the Assistant Professor and Inaugural Shapiro Family Chair in Piano Performance at the UCLA Herb Alpert School of Music, where he has taught since 2016.

Steven Walter

Steven Walter is an award-winning music curator and cultural manager. He grew up near Stuttgart as part of an American family in Germany, with a few interludes in the USA. He studied cello in Oslo and Detmold and cultural management in Hamburg. In 2009, he founded PODIUM Esslingen and developed it into an award-winning platform for new concert formats. He has been the director of the Beethovenfest Bonn since 2021. Walter is a 2025 Thomas Mann Fellow.

Partner

This event is organized by the Thomas Mann House Los Angeles, in collaboration with Monday Evening Concerts and the Los Angeles Poverty Department. This event is part of "Mann 2025: 150 Years of Thomas Mann".

 

Wednesday, July 16, 2025
Thursday, July 24, 2025
Sunday, August 10, 2025
Tuesday, August 12, 2025
Thursday, August 21, 2025
Tuesday, September 2, 2025
Monday, September 8, 2025
Monday, September 29, 2025
Thursday, October 30, 2025

Hannah Arendt’s Lessons for Our Times – On Exile & Solidarity

Thomas Mann House (1550 N San Remo Drive, CA 90272)

Info

Arendt's oeuvre has inspired many to stand in solidarity against authoritarianism, racial or gender-based violence, climate change, and right-wing populism. Her highly acclaimed work is a common point of reference for reflecting on political challenges today. But what if a careful analysis of solidarity in her writing reveals a darker side to this intellectual legacy What if solidarity, as she conceives of it, was not oriented toward equality, freedom, or justice for all, but creates a barrier to intersectional coalition building?

David D. Kim’s newly published book Arendt's Solidarity: Anti-Semitism and Racism in the Atlantic World (Stanford University Press, 2024) examines Arendt's lifelong struggle with ‘solidarity’—a deceptively straightforward, yet complex concept. Following the arc of her forced migration across the Atlantic, Kim looks at this conceptual conundrum in relation to every major concern of hers: Christian neighborly love, friendship, Jewish assimilation, Zionism, National Socialism, the American republic, Black Power, revolution, violence, and the human world. In dialogue with dissenting voices such as Thomas Mann, Gershom Scholem, Jean-Paul Sartre, James Baldwin, among others, and drawing from Arendt's publications, unpublished documents, private letters, and other archival material, Kim offers a full-scale reinterpretation of her oeuvre.

Participants

David D. Kim

David D. Kim is Professor in the Department of European Languages and Transcultural Studies at UCLA, Associate Vice Provost of the International Institute, and the Community Engagement Advisor for the Division of Humanities at UCLA.

Tom Zoellner
Tom Zoellner is the New York Times bestselling author of nine nonfiction books, including Island on Fire and The Heartless Stone. He is a professor at Chapman University and serves as an editor-at-large at the Los Angeles Review of Books.
Thursday, November 6, 2025

Why Read Thomas Mann in the 21st Century?

Thomas Mann House (1550 N San Remo Drive, CA 90272)

Info

In her forthcoming book The Magician’s Mother: A Story of Coffee, Race, and German Culture, Veronika Fuechtner rethinks Mann’s family history and cultural milieu through a transnational and postcolonial lens, focusing on Thomas Mann’s Brazilian mother Júlia da Silva Bruhns. Renowned writer and critic Morten Høi Jensen’s forthcoming book The Master of Contradictions – Thomas Mann and the Making of “The Magic Mountain”,  explores the philosophical and artistic tensions that shaped one of Mann’s most celebrated works – The Magic Mountain. Tobias Boes, author of the acclaimed 2019 bookThomas Mann’s War: Literature, Politics, and the World Republic of Letters, returns with A Reader’s Guide to Thomas Mann’s “Doctor Faustus”, a powerful companion to Mann’s ambitious postwar novel, which Mann completed during his exile in Los Angeles. Boes’ upcoming reader is supposed to reintroduce the canonical novel to a new readership in the U.S., also focusing on the novel’s political urgency. These authors from the fields of literary studies, history, and cultural criticism will delve into Mann’s political engagement, his literary innovations, and the questions his work continues to pose in our time. 

In a conversation moderated by 2025 Thomas Mann Fellow and journalist Sandra Kegel, the panel will discuss the question: Why should we read Thomas Mann today? What can his literature and political activism offer contemporary readers? How does Mann speak to a new generation—grappling with crises of democracy, culture, and identity? A Join us for an evening on Mann’s continued relevance, contradictions, and ongoing resonance in the twenty-first century. 

 
Learn more about the 150th anniversary of Thomas Mann here.

Participants

Tobias Boes

Tobias Boes is Professor of German and Chair of the Department of German, Slavic, and Eurasian Studies at the University of Notre Dame, where he teaches courses on twentieth and twenty-first century German culture and on European Studies. He is the author of two books on Thomas Mann: Thomas Mann’s War (Cornell University Press, 2019), which won the GSA/DAAD best book award and was translated into both German and Russian, and the recently-published A Reader’s Guide to Thomas Mann’s “Doctor Faustus” (Camden House, 2025). Both titles are available as free eBooks thanks to generous grants from the recently defunded National Endowment for the Humanities, from Notre Dame’s Navari Family Center for Humanities and the Public Good, and from the Thomas Mann House in Pacific Palisades. He is currently putting together a collected edition of Mann’s anti-Nazi speeches and writings, and also working on a new book project tentatively titled Affirming Flames: Cultural and Intellectual Defenses of Democracy during the Fascist 1930s.

Veronika Fuechtner

Veronika Fuechtner is Chair of Comparative Literature and Associate Professor of German Studies at Dartmouth. She also teaches in Jewish Studies, and Women's, Gender and Sexuality Studies. In addition, she occasionally has held an appointment as Adjunct Associate Professor in the Department of Medical Education at the Geisel School of Medicine. She is the author of Berlin Psychoanalytic (University of California Press, 2011) and the co-editor of Imagining Germany, Imagining Asia (Camden House, 2013) and A Global History of Sexual Science 1880-1960 (University of California Press, 2017). She recently completed a monograph on Thomas and Heinrich Mann's Brazilian mother, Julia Mann, and the Mann family construction of race and “Germanness." And she is the editor of the forthcoming Norton critical edition of Susan Bernofsky’s translation of Thomas Mann’s The Magic Mountain. Her research interests include the history of psychoanalysis and sexology, the relationship between science and culture, discourses on race and ethnicity, German-language modernism, contemporary culture, German-language film, and global cultural and scientific histories. She has received research grants from the American Council of Learned Societies, The American Academy in Berlin, the American Psychoanalytic Association, the Deutsche Schillergesellschaft, the Max Planck Institute for the History of Science, the National Endowment for the Humanities and the Social Sciences Research Council. She is serving on the editorial board of PMLA and she chairs the conduct and anti-harassment committee of the GSA.

Morten Høi Jensen

Morten Høi Jensen is a Danish-American writer and critic and the author of A Difficult Death: The Life and Work of Jens Peter Jacobsen(2017) and The Master of Contradictions: Thomas Mann and the Making of The Magic Mountain (2025). He has contributed to Liberties, the New York Review of Books, Washington Post, the Wall Street Journal, and Commonweal.

Sandra Kegel

Sandra Kegel studied literature, theater, film and media studies in Aix-en-Provence, Vienna and Frankfurt. She has been an editor at the Frankfurter Allgemeine Zeitung since 1999. She worked in media and literature departments for many years and has been head of the FAZfeatures section since 2019. She also works as a juror and presenter and is a regular critic on the literary program “Buchzeit” (3sat). In 2005, she was awarded the Ravensburg Media Prize. During her 2025 fellowship at the Thomas Mann House, Sandra Kegel is investigating the extent to which the decline of the (local) press is promoting populism and mistrust in democratic structures and what lessons can be learned from the findings for the German newspaper landscape. She will also examine the use of AI in media companies and its implications for the journalistic ecosystem. 

Partner

This event is part of Mann 2025: 150 years of Thomas Mann