Villa Aurora Events Archive
August 2017
Silent Salon
Villa Aurora (520 Paseo Miramar, Los Angeles, CA 90272)

Information
Part 1:ON THE HOOF
Mighty Like A Moose
Regie: Leo McCarey , 1926, 22 min. digital, starring Charley Chase and Vivien Oakland, digital
After a homely married couple separately undergoes plastic surgery, they unwittingly plan an extramarital affair with each other.
Mighty Like A Moose was selected for preservation in the United States National Film Registry by the Library of Congress, which recognizes American films deemed "culturally, historically, or aesthetically significant."(imdb)
The Goat
Regie: Buster Keaton, 1921, 27 min.starring Buster Keaton and Malcom St. Clair, digital
A series of adventures begins when an accident during photographing causes Buster to be mistaken for Dead Shot Dan, the evil bad guy. (imdb)
Part 2:ON THE WING
Call of the Cuckoos
Regie: Clyde Bruckman, 1927, 17 min. starring Stan Laurel, Oliver Hardy, and Max Davidson |
Max Davidson and his family are annoyed by the loony antics of their next-door neighbors (Laurel, Hardy, Finlayson and Chase). They move to a new house, which immediately starts self-destructing, and find the same neighbors have once again moved next door. (Laurel and Hardy Central)
Voice of the Nightingale
Regie: Wladyslaw Starewicz, 1925, 15, starring Nina Star, digital
This fairy-tale like telling of why nightingales only sing at night, is a
beautifully colorized live action with stop action animation.
Participant
Michael Mortilla is a composer and musician who for two decades has improvised scores to all manner of silent films for the Academy of Motion Picture Arts and Sciences, among other organizations. (He has also worked with a pair of legendary choreographers: Alvin Ailey and Martha Graham.)
Welcoming Reception
Villa Aurora (520 Paseo Miramar, Los Angeles, CA 90272)

Information

Sebastian Mez is a filmmaker, video- and soundartist. He studied at Filmakademie Baden-Württemberg in Ludwigsburg, Germany specializing in film directing. His experimental film Clean Up was shown at more than 40 international film festivals and won several prizes. Ein Brief aus Deutschland, which takes a special approach to the subject of modern slavery and prostitution in Europe, won the international middle length competition at Visions du Réel in Nyon in 2011. Metamorphosen was his first feature length film, which premiered at the Berlinale 2013, followed by numerous festivals and awards worldwide. His experimental work Substanz was nominated for the Filmkunstförderpreis of the National Gallery in Berlin 2015. Sebastian lives and works in Berlin.
www.sebastianmez.com

Ignaz Schick is a Berlin based turntablist, composer, sound and visual artists & curator. He started as saxophonist in the fields of free jazz and avant rock under the mentorship of trumpeter Don Cherry and shortly after got interested in electronic and contemporary music. Early experiments with tape machines, record players and effect boxes led to his own practize with self-made instruments and devices.
After college he briefly studied at the Academy of Fine Arts in Munich and worked for several years as an assistant for the contemporary composer Josef Anton Riedl.
Since 1995 he has been living in Berlin where he became a prolific figure in the cities experimental music scene working with numerous musicians worldwide including many different musical styles (noise, industrial, electro-acousitc music, improvisation, jazz, contemporary, ambient, electronica). He has toured worldwide, released a vast discography on numerous labels, builds sound installations and collaborated with such icons as Mwata Bowden, Don Cherry, Sven-Ake Johansson, Paul Lovens, Toshi Nakamura, Charlemagne Palestine, Andrea Parkins, Keith Rowe, Matthias Spahlinger or Martin Tetreault.
Since 2012 he has been focussing on conceptual compositions and experimental radio pieces and has developed his own graphic and verbal notations language for creative musicians. Besides being a member of several ensemble projects he also leads the 9-piece
Circuit Training ensemble in Berlin.

Hamburg-based Annette Streyl is a visual artist focused on sculpture in a traditional as well as in a contemporary sense.
She studied at Muthesiushochschule Kiel and Hochschule für Bildende Künste with Franz Erhard Walther.
Her textile works show representative architecture whereas her stone works have the allure of medieval and renaissance European sculpture.
Streyl's work is part of private and museum collections world wide.

Andreas Schäfer studied German literature and theology in Frankfurt/Main and Berlin. Since the mid-nineties he has been working as a theatre critic and reported on cultural affairs first for Berliner Zeitung and then for Der Tagesspiegel until 2010, when he became a freelance writer.
He published his novel Auf dem Weg nach Messara (En Route to Messara, Alexander Fest Verlag, 2002), which received the Bremen Most Promising Writer Award. His novel Wir vier (The Four of Us, Dumont Verlag, 2010) was long listed for the German Book Award and received the Anna Seghers Prize. His latest novel Gesichter (Faces, Dumont Verlag, 2013), was voted on to the bestseller list of Southwest German Radio.
Schäfer writes essays and commentaries for Die Zeit and magazines such as Weltkunst and Architektur und Wohnung and works on developing print materials for foundations. He also writes radio features on topics such as the magic of a night in Athens, the power of the empty theatre space, or the swimming pool as a venue for literature.
At Villa Aurora Andreas Schäfer is working on a novel about an old famous house and its changing inhabitants over a century.

Genoël von Lilienstern studied composition in Bremen and Berlin and Sonology in The Hague. Von Lilienstern received numerous scholarships including from UdK Berlin Graduate School, Cité Internationale des Arts Paris and Tokyo Wondersite. He has worked with leading international ensembles such as Ensemble Intercontemporain, Ensemble Modern, Neue Vocalsolisten Stuttgart and SWR Orchestra. He also created installative works for flight drones and robots.
During his stay in Villa Aurora he will be working on a project entitled "Tongva Song" investigating the present days situation of the Tongva Gabrieleños (the native inhabitants of the Los Angeles basin), the efforts of "language revitalization" and Southern Californian Native American music traditions. The outcome of this survey will potentially be a musical composition or cooperation.