Villa Aurora Events Archive

May 2015

Tuesday, May 12, 2015

Art Censorship

Literaturhaus Berlin (Fasanenstraße 23, 10719 Berlin)

 

Information

The special significance of “art” for the German self image, as well as its -internationally- unique legal position, have turned the artistic processes and parliamentary attempts at regulating them, into societal hot spots and turning points. They mirrored and condensed cultural transitions, social restructuring and shifting political powers.
 
Prof. Peter Jelavich will elaborate on the censorship of art and its impact on state and society in the 20th century. His presentation is based on current research in the fields of literature, theater, fine arts and film.

 

Participant

Peter Jelavich

Peter Jelavich is professor for modern history at Johns Hopkins University (Baltimore, USA). In his essays and books, such as Berlin Cabaret (1993) and Berlin Alexanderplatz: Radio, Film, and the Death of Weimar Culture (2006) – he analyzes the reciprocity of elite and popular culture, the evolution of mass culture and media as well as the attempts by politicians at regulating culture in Germany.

Wednesday, May 13, 2015

Welcoming Reception. Meet the Fellows Spring 2015

Villa Aurora (520 Paseo Miramar Los Angeles, CA 90272)

 

Participants

Daniela Seel

The writer and publisher Daniela Seel lives and works in Berlin. She has international appearances and collaborates with a number of artists, such as the illustrator Andreas Töpfer, the musician PLANNINGTOROCK, the dancer David Bloom, and the poets Rick Reuther and Robert Stripling.

Daniela Seel:

Currently, I am working on finishing my second book of poems, What Do You Know About Prairie, Actually, which will come out in October. Over the last few years I have been researching "landscapes of imagination", and I am especially interested in the intersections of fiction and reality, in how what we perceive informs our imagination and, vice versa, how our imagination shapes what we will perceive, and what language might have to do with it. Some of the aspects I will be looking into while in California are the history and present of settlement and resources (water, gold, food, light, labor, etc.) and their various, conflicting narrations, the desert, and the National Parks system / movement with its ideas of wilderness. At Meet Our Fellows I will give a reading from my manuscript.

Check Daniela's work online:
Anna McCarthy

British Artist Anna McCarthy lives and works in Munich. She studied at the Glasgow School of Art and at the Akademie der Bildenden Künsten (Academy of Visual Arts) in Munich.

McCarthy transforms her artistic visions into paintings, drawings, installations, performances, music and film. She has exhibited in a number of international art institutions and musems, among them being Chisenhale Gallery, London, Northern Gallery for Contemporary Art, Sunderland, Shedhalle Zuerich and at the Schaustelle Pinakothek der Moderne in Munich.

Anna McCarthy will be working on a number of new video works, including an L.A.-specific sequel to her BORED REBELS series, a short-film commission by the Fassbindertage in Munich, as well as writing and compiling the book HOW TO START A REVOLUTION which covers her multifaceted and longterm project of the same name. For the closing event on the 25th June she will present a new performance developed during her stay in the salon of the Villa Aurora.

For more Information about her work, check out Anna's website:
 
Udo Moll

Udo Moll's initial musical socialization process took place in the brass orchestra of the city of Uhingen. He studied empirical cultural sciences, musicology, romanistic and new German literature at the Eberhard-Karls-Universität Tübingen.  Furthermore, he studied the jazz trumpet with Manfred Schoof  and composition with Johannes Fritsch at the Music Academy Cologne.

Udo Moll works as a freelance composer, trumpeter and in the field of electronic music.

On May 13th, Udo Moll will present excerpts from the following pieces:
 
- punchcard music (2013) for organ, ensemble and video
 
- infinite loop (2014) for piano, trumpet and electronics
 
- tientos y lucientes (2010) for cembalo, ensemble and electronics
 
- Heines Sklavenschiff (2007) for ensemble, narrator and video
Cyrill Lachauer

Cyrill Lachauer grew up in the Inn Valley. He currently lives and works in Berlin and on the road. For a short time, Lachauer studied directing at the University for Television and Film Munich, before enrolling in the ethnologyprogramat Munich University. After earning his M.A. and conducting field work in Columbia, Ladakh/India, and Portugal, Lachauer studied visual arts at the University of Arts Berlin and graduated from a master class with Lothar Baumgarten in 2010. Cyrill Lachauer is the recipent of the 3sat Young Talent Award at the International Short Film Festival Oberhausen, the Kunstfonds Foundation fellowship and the Konrad-Adenauer Foundation EHF fellowship (2010), among others. Lachauer co-founded Flipping the Coin Records and Books (2011) und Flipping the Coin Films (2014).

On May 13th, Cyrill Lachauer will present his multimedia work " Full Service". He developed the project from 2012 to 2014 in the United States and just recently  exhibited it in a solo show at Villa Stuck in Munich.

"Full Service" is based on Lachauer's notion of a narrative landscape and on the "Ghost Dance" ritual.

This Native American movement of resistance and revitalisation draws Lachauer into the back country of the American West between Las Vegas and Wounded Knee.

http://cyrilllachauer.net/

 
Mathilde Bonnefoy

Mathilde Bonnefoy is a film editor, director and producer.

She started her career editing Tom Tykwer's RUN LOLA RUN with whom she went on to work on many films (HEAVEN, THE INTERNATIONAL,THREE, and more). She has also worked with Wim Wenders (THE SOUL OF A MAN), Angela Schanelec (ORLY), and others, including, most recently, Laura Poitras, on the Edward Snowden documentary CITIZENFOUR, as editor and producer.

She directed a music video for, and a feature length documentary about the german band RAMMSTEIN, several TV shows, as well as a medium length feature film which she also wrote (INSENSITIVE).

With her husband Dirk Wilutzky, she co-directed and co-produced a series of 30 short documentaries on the subject of sustainability and global justice for the Franco-German TV Channel ARTE.

She has won numerous awards for her work, among others an Academy Award®, a BAFTA, an Independent Spirit Award, two German film academy awards (LOLAs), an ACE award, Gotham, and more. At Villa Aurora she is working on the script for a feature length fiction film.

For more information please got to www.imdb.com

Please note that there will be a screening of Citizenfour on May 18th, 7 pm @ Goethe-Institute Los Angeles

Watch the trailer of Citizenfour here

Monday, May 18, 2015

Screening: Citizen Four

Goethe-Institute (5750 Wilshire Boulevard, Suite 100 Los Angeles, CA 90036)

 

Information

followed by a Q&A with the producer and editor Mathilde Bonnefoy

In January 2013, Laura Poitras was making a film about international surveillance when she started receiving encrypted emails from “citizen four,” a source who wanted to blow the whistle on the NSA’s covert surveillance programs. In June 2013, she packed her camera and traveled with journalist Glenn Greenwald to Hong Kong, where they met Edward Snowden. The documentary resulting from this tense encounter is a real-life thriller. Poitras compresses days of questioning, waiting, and watching the world’s reaction into a masterful film that combines an intimate character study with a gripping plot that hurtles toward an explosive conclusion.

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Saturday, May 30, 2015

Eclectic Salon

Villa Aurora (520 Paseo Miramar, Los Angeles, CA 90272)

© Astrid Ackermann

 

Information

Eclectic Salon & MicroFest present: Wolfgang = 2 x 3 + 4

Bach/Schweinitz: Ricercare string trio
Schweinitz: Franz and Morton piano trio [US Premiere]
Schweinitz: Plainsound String Quartet 'Holy Howl', Op. 57 [West Coast Premiere]
Formalist Quartet + Richard Valitutto

"Pure Bach thus sounds like Stockhausen, the purest of tones and no vibrato serving as effective means for speeding music to the brain. Funny things start occurring with high frequencies that lie somewhere between what would get the attention of a dog and those audible to a concertgoer. Everything in our bodies and this world vibrates, and when you mess with the essence of vibration, you mess with perception. I would not recommend driving under the mind-blowing influence of Schweinitz." Mark Swed, LA Times