October 2025

Achim Mohné's interdisciplinary, media-artistic research into the extension of photography and its paradigmatic change through digitality is constantly evolving with new media and their apparatuses. In multimedia installations, sculptures, performances, sound and video works, interactive 3D visualizations with augmented reality or in VR game engines, as well as sculptural translations between digital and real space, works in public space and publications, he calls for a critical distance to the authenticity of the post-photographic image. His complex interventions address media-immanent issues of surveillance, manipulability, artificial intelligence, and virtuality, and examine our interaction with the world in terms of pressing social, technological, geopolitical, ecological, or cultural issues, with a particular focus on nature and environmentalism.

Sarah Szczeny’s method of dissecting, distorting and separating images, such as cartoon film elements, characterizes her collage, painting and video work.

She examines the conditions of painting by stretching the medium’s boundaries through experimental interventions – for example by using gif and loop techniques as well as sound effects -, a multidimensionality is created that gives the painting character of movement and thus locates it in the tradition of cartoons. In this process of animation of collages, which is so essential for her work, Szczesny combines formal studies and citations of pop culture and art history.

Joram Schön, born and raised in Berlin-Moabit, is an artist and filmmaker. He studied fine arts at UdK Berlin in the class of Thomas Zipp. He has participated in several group, duo, and solo exhibitions in Germany and abroad. In his drawings he combines nature and urban observations. He preserves urban change in his critical questions about topographies and architecture. He is currently doing his master's degree at the Academy of Media Arts in Cologne (KMH), combining the mediums of drawing and filmmaking to realize autobiographical short stories.

Fern Liberty Kallenbach Campbell, born in New York, grew up in Berlin, and lives and works in Halle (Saale). She studied communication design at Burg Giebichenstein and completed her bachelor's degree in 2021 with a focus on illustration in the class of Prof. Georg Barber. In 2023 she completed her diploma in textile art in the class of Prof. Caroline Achaintre. Fern processes her personal and digital reality in the form of tapestries. Here, the boundaries between good and evil become blurred, as well as the boundaries between self-medication and addiction, chaos and harmony. The dining table is a recurring element in her works.

Sarah Szczeny’s method of dissecting, distorting and separating images, such as cartoon film elements, characterizes her collage, painting and video work.

She examines the conditions of painting by stretching the medium’s boundaries through experimental interventions – for example by using gif and loop techniques as well as sound effects -, a multidimensionality is created that gives the painting character of movement and thus locates it in the tradition of cartoons. In this process of animation of collages, which is so essential for her work, Szczesny combines formal studies and citations of pop culture and art history.

Olivia Mole is an artist and educator who works across disciplines including installation, performance, drawing, and animation. She examines the ways in which popular culture serves historical and contemporary ideologies and explores ways in which those ideologies can become unfixed, politically and personally.

She has participated in exhibitions, screenings, and performances at the Hammer Museum, 2220 Arts, Weirdo Night, Gattopardo LA, LAXART, JOAN Los Angeles, Los Angeles Contemporary Archive, The Wattis Institute, Southern Exposure and Cloaca Projects, San Francisco, among others, and teaches graduate and undergraduate classes in video, performance, and studio practices at UCLA, UC Riverside and California Institute of the Arts.