"Sliced Memories"- Einzelausstellung der Ukrainischen Künstlerin Zhanna Kadyrova
Language: English ・ By Invitation Only
Info
In collaboration with Kyiv to LA, the Thomas Mann House presents Sliced Memories, a solo exhibition by Ukrainian artist-in-residence Zhanna Kadyrova. As part of an ongoing partnership supporting Ukrainian artists through a Los Angeles-based residency, this exhibition marks Kadyrova’s first solo presentation in the United States and coincides with the four-year anniversary of Russia’s full-scale invasion of Ukraine.
Sliced Memories brings Kadyrova’s anti-war practice in dialogue with Thomas Mann, whose history of political resistance raises enduring questions about the role of art in times of crisis. Centered around the artist's fundraising project Palianytsia, the exhibition features artworks from her Anxiety, Refugee, and Russian Rocket series, which reveal the surreal experience of encountering the unfamiliar within the familiar. Presented one year after the devastating fires that ravaged the surrounding Pacific Palisades and neighboring Altadena, and four years after Russia’s full-scale invasion of Ukraine, this exhibition invites viewers to consider how art and resilience are intimately intertwined. Linking Mann’s anti-fascist radio addresses to Kadyrova’s recent bodies of work, Sliced Memories foregrounds the asterisks and annotations that emerge when creative practices are restructured as forms of resistance.
About the Artist
Zhanna Kadyrova (b.1981, Brovary, Ukraine) is an interdisciplinary artist and member of “R.E.P.” group (Revolution Experimental Space). After graduating from the Taras Shevchenko State Art School in 1999, she received the Kazimir Malevich Artist Award and the Grand Prix of the Kyiv Sculpture Project (both 2012). She was awarded the Special Prize (2011), Main Prize (2013), and Special Prize – Future Generation International (2014), all from PinchukArtCentre.
Kadyrova’s practice engages various disciplines including sculpture, photo, video, and performance. In her work, the issue of context unravels to reveal the rhythm of History on the move - that of a world whose multiple layers disappear behind their immediacy. Often diverting the aesthetic canons of the socialist ideal still present in the heritage of contemporary Ukraine, Kadyrova’s perspective is partially informed by the plastic and symbolic values of urban building materials. Thus ceramics, glass, stone, and concrete enter the spotlight of her work.
Partner
This exhibition is a collaboration with Kyiv to LA.