Künstler:innengespräch mit Liat Yossifor und Ed Schad

Ed Schad is a Los Angeles-based curator and writer for art and culture publications including the Los Angeles Review of Books, Art Review, Flash Art, Frieze, Modern Painters, and The Brooklyn Rail. As Curator and Publications Manager at The Broad museum in Los Angeles, in 2022 he curated a survey of William Kentridge: In Praise of Shadows, as well as edited and wrote the book to accompany the exhibition. He previously organized and produced catalogues for the large scale exhibitions Takashi Murakami: Stepping on the Tail of a Rainbow and Shirin Neshat: I Will Greet the Sun Again. He is also responsible for organizing the public project Carlos Cruz-Diez’s Couleur Additive and was the host-curator of Jasper Johns: Something Resembling Truth co-organized by The Broad and the Royal Academy of London. He is the editor in chief of 50 Artists: Highlights of the Broad Collection, and he is the managing editor of The Broad Collection; The Broad: An Art Museum Designed by Diller Scofidio + Renfro; The Broad: Art and Architecture; and Cindy Sherman: Imitation of Life, all published by Delmonico Books. Schad has contributed essays to monographic catalogs on the work of Robert Irwin, Natalie Frank, Roy Dowell, Enrique Martinez Celaya, Sterling Ruby, Kaz Oshiro, Annie Lapin, Albert Contreras, Raimons Staprans, Charles Garabedian, Pieter Vermeersch, Kavin Buck, and Liat Yossifor. Schad’s poems have been published in the Blue Collar Review, Suturo, and The Nonconformist. Previously, he taught writing as an adjunct professor at Claremont University, and in 2021, he became a fellow of The Los Angeles Institute for the Humanities at USC. His first collection of poetry is Letters Apart, a collaboration with the painter Liat Yossifor, co-published in 2023 by University of La Verne and DoppelHouse Press.