Konzert: Remembering The Exiles
Musical Program
Hugo Kauder String Quartet no. 2 in G Major (1924)
I.Rühig fließend
II. Rasch und flüchtig
III. Sehr gemächlig - Lebhaft
Adriel Sloss, Michael Oliveira Violins
Grace van der Sloot, Viola
Jiayi Lu, Cello
Erich Zeisl Sonata for Violin and Piano ‘Brandeis’ (1949)
I-Grave-Allegretto
Adam Millstein, Violin
Dominic Cheli, Piano
Ernst Toch
3 Piano Pieces op. 32 (1924)
I-Ruhig und durchwegs sehr zart
Kleinstadtbilder (Echoes from a Small Town) op.49 (1929)
XII Uber den Marktplatz
3 Burlesken op. 31 (1921)
No. 3 ‘The Juggler’
Dominic Cheli, Piano
Ernst Krenek Triophantasie op. 63 (1929)
Andante sostenuto-Allegro agitato
Adam Millstein, Violin
Jakob Taylor, Cello
Dominic Cheli, Piano
Followed by a conversation with Barbara von Bechtelsheim and Adam Millstein, moderated by Joy Calico.
Participants
Joy H. Calico joined the faculty at UCLA in August 2023, where she is Professor of Musicology at the Herb Alpert School of Music and affiliated faculty in Jewish Studies. She has published monographs on two luminaries of the Austro-German diaspora in Los Angeles: Bertolt Brecht at the Opera (2008) and Arnold Schoenberg’s A Survivor from Warsaw in Postwar Europe (2014), both with University of California Press. Her scholarship has been supported by fellowships and grants from the American Academy in Berlin, the DAAD, the ACLS, and the NEH, among others. She is a member of the international working team of the Black Opera Research Network (BORN). Her current projects include a book about operatic scene types in 20th- and 21st-century opera based on Kaija Saariaho’s L’amour de loin, and a co-edited volume entitled Childhood and the Operatic Imaginary since 1900.
Partner
This program is a collaboration with the Colburn School of Music at USC.